(Warning: contains plot spoilers!) Cloning is a frequent theme in contemporary cinema. We have blogged about some of these previously (The 6th Day and Godsend). The 2010 movie Clone (aka Womb in other parts of the world) is an interesting addition to the collection. In particular, this film offers some insight into how generational relationships might be affected by cloning.
Plot summary: Rebecca and Tommy are close friends as children, before her mother’s job requires Rebecca to move to Japan. Having completed a degree, the adult Rebecca (Eva Green) returns. She and Tommy (Matt Smith) renew their friendship and quickly become lovers.
On the way to conducting an act of civil disobedience at the nearby cloning facility, Tommy is killed in a car crash. Rather than pursuing his campaign against the cloners, Rebecca turns to their services and becomes the surrogate mother for a clone of Tommy.
Although cloning is becoming more established in their society, prevailing attitudes against “copies” means that Rebecca keeps the details about her son’s origins a secret. When, however, the truth is leaked Rebecca and Tommy move to a more remote location. The younger Tommy only comes to know he is a clone towards the end of the film.
Reflections: Clone is a fairly slow moving and low-key movie, more arthouse than blockbuster. It is somewhat reminiscent in tone to Blueprint, which has some similar themes. If you are looking for clips to launch a discussion about the ethics of cloning, the most useful section runs from about 00:50:00 to 00:53:30. Two scenes, running consecutively, nicely encapsulate some of the tensions. In the first, Rebecca comes across Tommy and his friend Eric talking to a girl Dima about her rabbit. Rebecca extends Dima an invitation to come to their house, which the girl declines. As Dima walks away, Tommy and Eric compare notes, to see if they could detect the weird smell that “copies” are supposed to have.
In the follow-up scene, a group of mothers are chastising Rebecca for having offered to let Dima come to her house, because she is a copy. As one of the women puts it, Dima is a “Victim of artificial incest”, since she is a clone of her own grandmother.
As an alternative, you might use a section starting at 00:38:00. It is just after the original Tommy has died, and Rebecca raises the possibility of cloning him with Tommy’s mum (she is horrified by the notion, but Tommy’s father later provides the necessary material for the process).
There are a number of trailers for the film on YouTube. There are actually significant differences between the trailer for the UK version Clone (here) and the US trailer for Womb (here, and below). The latter is a much better taster to whet the appetite regarding the the ethical issues in the film.
The film is unsettling. In particular the sexual tension between Rebecca and both versions of Tommy (the photo and video above both capture something of this). Towards the end of the film, when the clone discovers the truth about his identity, he and Rebecca have sex. Is this incest (as the earlier observer had suggested regarding the generational confusion surrounding Dima)? It is not a loving act on Tommy’s part. Shortly afterwards he leaves.